Curated by Cat Dunn and programmed by Fife Contemporary, the exhibition Crafted Selves: The Unfinished Conversation showcased the work of thirteen Scotland based artists exploring dual identities in their work.

The exhibition featured artists Adil Iqbal, Alberta Whittle, Ashanti Harris, Eden Dodd, Emelia Kerr Beale, Harvey Dimond, Joy Baek, Li Huang, Rae-Yen Song, Sara Pakdel-Cherry, Sekai Machache, Tilda Williams-Kelly and Viv Lee.

Crafted Selves: The Unfinished Conversation takes its title from a continuing discourse between curator Cat Dunn and the 13 Scotland-based artists featured. What does it mean to have a dual identity, and how is this sense of self reflected in work being made by Scottish craft artists today?

Working in sculpture, painting, ceramics, textiles, installation, moving-image films, and creative writing responses, the artists all carry a dual identity. Many have a sense of self born of a cultural heritage that is both Scottish and rooted in another cultural home. The show also explores other dualisms and expressions of identity, including artists who express their sexuality, disability, or trans and non-binary selves through their work.

As a Bajan-Scottish artist turned curator, Cat Dunn brings her unique understanding of what it means to maintain a dual-identity, the challenges that can be faced as an artist of colour, as well as the strength it can bring.

Being dual identifiable carries a sense of pride and strength. While there can be sorrow and pain, there is also joy. Having a dual identity can be used to celebrate one’s social identity, or it can be used as a platform to express and teach others what life can be like from a different perspective. I am incredibly proud to merge my two cultures as it makes me unique. – Cat Dunn